NOWNESS

IN RESIDENCE: SOPHIE HICKS

Editor Shelley Jones. Film by Nick Ballon. January 2019

A tranquil walk through the minimal home of the architect who has designed boutiques for the likes of Chloé and Yohji Yamamoto.
In 1987, after working as fashion editor at Tatler and Vogue,  Sophie Hicks embarked on a career in architecture, going on to design some 100 Chloé boutiques, stores for Nottingham’s own Paul Smith, and—most notably—Yohji Yamamoto’s stunning Paris flagship.

In this new film, the latest of our much-loved In Residence series, fashion’s interior designer guides us around her minimal Kensington home—one that belies its proximity to the beating heart of a major city.

 

Hicks has described her own style as “cold but warm,” making use of rough finishings and sparse, minimal spaces to provide a place for light—both natural and artificial—to play. There is an openness to her approach, being a reflection of her editorial career working under Grace Coddington. It is, then, no great surprise that the British stylist-turned-architect had a surreal encounter with Federico Fellini in 1986, leading to her appearing in his fictional documentary Intervista.

View film at Nowness.com

1A Earl’s Court Square >

MAGAZINES

ARCHITECTS’ JOURNAL

SOPHIE HICKS ARCHITECTS DESIGNS MINIMALIST CONCRETE HOUSE IN KENSINGTON
By Fran Williams
Photographs by Annabel Elston
February 2019

BOB MAGAZINE

YOHJI YAMAMOTO FLAGSHIP STORE, PARIS
by Lee Eunjung, Photographs by Johannes Marburg

SPACE KOREA

ACNE STUDIOS
Interview by Park Sungjin
Photo by Annabel Elston
January 2016

THE NEW YORK TIMES

SOPHIE HICKS, CHLOÉ’S ARCHITECT
By Stephen Heyman
Photograph by Jacob Sutton
June 2010

CULTURED MAGAZINE

THE ART OF THE FASHION FLAGSHIP
By John Glendall
Photograph of Acne Studios Seoul by Annabel Elston
April/May 2019

INTERIOR + DESIGN, RUSSIA

1A EARL’S COURT SQUARE
by Danila Varennikov
Photographs by Adrian Gaut, Alasdair McLellan, Annabel Elston & Sophie Hicks Architects
October 2019

FRAME

HOME AGAIN
by Tracey Ingram
Portraits by Andrew Meredith
July/August 2019