
SHOTENKENCHIKU
BOUTIQUE CHLOÉ AOYAMA, TOKYO
April 2006
The house at Earl’s Court Square has an underground lower storey to reduce visibility from the street.
Sophie Hicks Architects has completed a submerged house in Kensington, London. The site of just 75m² is in a conservation area, which meant a planning constraint height of two storeys – one above ground and one below.
The ground floor has generous ceiling heights of up to 3m, with glazed extensions creating a visual connection to the surrounding trees.
The house has been constructed out of an exposed concrete frame with a rough board-marked finish, while the floors are polished concrete with underfloor heating. The high-specification glass is framed with a grid of steel T-section beams.
Sophie Hicks Architects began by designing private houses before moving into architectural consultancy for a number of high-profile fashion companies to give expression to their brand identities – working with Paul Smith, Chloe, Acne Studios and Yohji Yamamoto.
Architect’s view:
Our goal was to create an urban house that was comfortable but sustainable – and looked and felt, in every sense, healthy. The challenge was to do so on a site of just 75m² in central London, in a conservation area where we were limited by planning constraints of two storeys.
The design aims to maximise not only the actual space internally but also the perception of space. We have thus built right up to the boundaries – something that entailed both delicate party wall negotiations and a careful choice of construction methods.
In addition, the house is visually open to the natural world outside, with abundant natural light and air and carefully framed views of the surrounding canopy of trees. The construction of the house is clean and legible. The structural frame is exposed concrete with a rough board-marked finish. The floors are polished concrete, which can be heated and cooled. The glazing of aluminium and stainless-steel framed windows and doors, some of which slide, is contained within a strongly dominant grid of T-section steel.
To reduce heat loss and solar gain, in line with Building Regulations, we chose high- specification glass, while we opted for a structure in concrete with significant thermal mass, for the same reason. The house is a quiet machine with heating, cooling, lighting and alarm systems to offset CO2 emissions.
Contemporary houses like this are sadly rare in Kensington – and even more rarely visible from the street.
BOUTIQUE CHLOÉ AOYAMA, TOKYO
April 2006
THE ART OF THE FASHION FLAGSHIP
By John Glendall
Photograph of Acne Studios Seoul by Annabel Elston
April/May 2019
EXCERPT FROM THE BOOK
Contribution by Sophie Hicks
Photographs by Milo Keller and Johannes Marburg
November 2014
1A EARL’S COURT SQUARE
By RIBA
May 2019
ALAÏA
Editor Saki Kaneko
Photography by Yasuhiro Takagi
Autumn 2022
CLASSY ACT
By Marta Galli
Photographs by Timur Celikdag
Fall 2008
RENAISSANCE WOMAN
By Osman Ahmed
Photographs by Alasdair McLellan
Spring 2018
HIP TO BE SQUARE
By Alice Rawsthorn
Photographs by Adrian Gaut
March 2019
EDIE CAMPBELL ON THE INFLUENCE OF SEOUL
Photos by Mira Heo
November 2015
DIE GEISTERJÄGERIN
Interview by Svea Jörgens
Portraits by Volker Conradus
December 2012
17 Powis Mews, London, W11 1JN, UK
T +44 20 7792 2631
mail@sophiehicks.com
© 2025 S.H. Architects Ltd. All rights reserved. Privacy Policy