FRAME MAGAZINE

ACNE’S KOREAN FLAGSHIP HOVERS WEIGHTLESSLY AMID AN ASSEMBLY OF CONCRETE AND STEEL

By Shonquis Moreno. Photographs by Annabel Elston. March 2016

Designer Sophie Hicks’ flagship for Stockholm-based fashion brand Acne Studios in Seoul’s Gangnam district sits – gossamer and luminous – in a bed of wild strawberries, crowned with ductwork and lined with concrete. This industrial-ethereal contradiction reflects the area’s identity, as well as the contrast between Acne’s vocal aesthetic (the name of the label could refer to blemishes but is actually a cheeky acronym for the collective’s primary pursuit: Ambition to Create Novel Expressions) and the more retiring aspects of Swedish culture. ‘Sweden is a culture of light and air,’ Hicks writes, one that values ‘modesty and discretion’.

Inside, two floors of concrete poured in rough timber forms float amid – without touching – exterior polycarbonate walls through which daylight difuses onto freestanding steel garment displays. There is no decoration of any sort and no mechanical equipment, the ductwork that might have threaded the interior having been coiled atop the roof. The consonance of a handful of diverse materials – woodgrain-tattooed concrete surfaces and spiral stair, metal cash counter and displays, and glowing polycarbonate walls – vaporizes into an atmosphere of cool warmth. Hicks, with good reason, calls it ‘otherworldly’. — Shonquis Moreno

MAGAZINES

NOWNESS

IN RESIDENCE: SOPHIE HICKS​
Editor Shelley Jones
Film by Nick Ballon
January 2019

RIKA MAGAZINE

RENAISSANCE WOMAN
By Osman Ahmed
Photographs by Alasdair McLellan
Spring 2018

SPACE MAGAZINE

AT HOME WITH HICKS
Conversation Skye Sherwin
Photos by Brett Lloyd
November 2015

PIN-UP

SOPHIE HICKS – THE ALAÏA-CLAD STYLIST WHO REFITTED HERSELF AS AN ARCHITECT
By Emily King
Photographs by Andreas Larsson
Fall/Winter 09/10

HÄUSER

FREIRÄUME
by Mary Boyd
Photographs by James Merrel
June 2012

YAMAMOTO & YOHJI, RIZZOLI

EXCERPT FROM THE BOOK
Contribution by Sophie Hicks
Photographs by Milo Keller and Johannes Marburg
November 2014