SOPHIE HICKS ARCHITECTS

From the outset, Sophie Hicks recognised the importance of striking a contrast between the delicate, beautiful scent represented by the immaculate white space at the highest level of the structure, and the rich, heavy – sometimes unpleasant – scent of the animal ingredients symbolised by the rugged, dark, and more rustic space at ground level.

To embody this idea physically, we named the ground-level exterior wall the ‘Foul Wall’ and conducted various experiments. We explored the use of different aggregates in concrete, such as waste materials, basalt, rubble stones, and rubber chips, and discussed various construction methods, such as pouring, throwing, and pre-casting, and performed multiple sampling tests. During the experimentation phase, we encountered several unforeseen challenges, such as the aggregate not being sufficiently exposed on the surface due to the viscosity of the concrete, the rubber chips falling off without adhering, and the walls being rendered too smooth and refined, contrary to our intentions. Ultimately, we added iron oxide dye to the concrete to achieve a nearly-black finish and layered rubber chips, tires, and asphalt between the concrete to ensure they were visible on the surface. The Foul Wall at the lower levels of the building, which is visible to pedestrians, creates a striking impression. It is an unfamiliar elevation that they cncountor for the first timc, drawing pcoplo in and sparking curiosity.