CULTURED MAGAZINE
THE ART OF THE FASHION FLAGSHIP
By John Glendall
Photograph of Acne Studios Seoul by Annabel Elston
April/May 2019
THE GUARDIAN
AZZEDINE ALAÏA COULDN'T GIVE A DAMN WHAT OTHER PEOPLE SAID WAS THE NEW MOOD
By Sophie Hicks. April 2018
Ahead of the first UK solo exhibition of the couturier’s work, former colleague Sophie Hicks remembers his exacting pursuit of fashion perfection.
I think the new Azzedine Alaïa exhibition at the Design Museum could have the same impact on fashion students that Sensation at the Royal Academy had on arts students in 1997. Azzedine, who died last November, isn’t particularly well known in England – he was very much Paris-based – so it should be a revelation for young people who haven’t seen his work.
I first became aware of Azzedine in 1981 or 82, when I was working as a fashion editor for British Vogue. We were tipped off about an interesting designer in Paris and a few of us from the magazine went to see his show. It was at his apartment in the 7th arrondissement and the catwalk was just the parquet floor with little chairs lined up on either side. I remember we were kept waiting a long time. Suddenly, there was this loud clap and the American model Janice Dickinson appeared, followed by 10 or 20 of the most beautiful women in the world.
We thought, who is this designer who can get these unbelievable models to walk through his apartment like this? New York was the centre of the fashion industry at the time and models of that calibre simply didn’t bother coming to Paris, but here they were, dressed up and looking incredible.
We were right up close so we could see the cut, the fabric, the attention to detail. We hadn’t really seen anything like it before. It was a completely new look, very tailored and fitted and very sexy – but sexy is not quite the right word. The outfits were incredibly empowering.
MAGAZINES
CORRIERE DELLA SERA – LIVING COLLECTION 2022
IL CEMENTO GENTILE / COUNTRY DREAM
by Paola Menaldo
Photos by Adrian Gaut
March 2022
ARCHITECTS’ JOURNAL
SOPHIE HICKS ARCHITECTS DESIGNS MINIMALIST CONCRETE HOUSE IN KENSINGTON
By Fran Williams
Photographs by Annabel Elston
February 2019
JAPAN VOGUE
ARCHITECTS IN MODE
March, 2002
DETAIL
CENTRAL AND SECLUDED: SOPHIE HICK’S PRIZE-WINNING PRIVATE RESIDENCE
by Edina Obermoser
Photographs by Annabel Elston and Sophie Hicks Architects
January 2020
PIN-UP
SOPHIE HICKS – THE ALAÏA-CLAD STYLIST WHO REFITTED HERSELF AS AN ARCHITECT
By Emily King
Photographs by Andreas Larsson
Fall/Winter 09/10
SPACE KOREA
ACNE STUDIOS
Interview by Park Sungjin
Photo by Annabel Elston
January 2016
FRAME
YOHJI YAMAMOTO FLAGSHIP STORE
By Chris Scott
Photographs by Johannes Marburg
May/Jun 2009
HÄUSER
FREIRÄUME
by Mary Boyd
Photographs by James Merrel
June 2012
FRAME MAGAZINE
ACNE’S KOREAN FLAGSHIP
By Shonquis Moreno
Photo by Annabel Elston
March 2016