
LE FIGARO STYLE
ARCHIFASHION: SOPHIE HICKS – UNDERSTATED STYLE, TINGED WITH A TOUCH OF WHIMSY
Words by Cédric Saint André Perrin.
Photographs by Alasdair McClellan, Adrian Gaut, and Annabel Elston.
22 September 2026
Marking its 75th anniversary, Max Mara has opened its redesigned flagship store on Avenue Montaigne in Paris. A 745 m2 space designed by Sophie Hicks Architects, the project interprets the label’s iconic camel coat as a spatial experience.
“I want to shoot an unexpected Italian firework over Avenue Montaigne,” the architect explains. “For us, the epitome of Max Mara is a classic camel overcoat. So this store is a play on camel – a camel enamel shopfront, camel tinted glass – and if you exaggerate camel, what does it become? Orange, of course. The stair up to the first floor is like a double twist of orange peel.”
Color acts as the guiding narrative throughout the interior, most strikingly in the staircase. The centerpiece of the store, the stair is supported by an orange double helix. Gray steel struts link the spirals to anchor the floating treads.
Contrasting with the boldness of the stair, the boutique features restrained, elegant spaces in which light operates as a perceptual tool. Expansive street views and centrally positioned display cases dissolve the boundary between inside and out, creating a fluid, open experience. This fluidity extends to the arrangement of mannequins, which occupy the space like moving figures on an open stage. Meanwhile, display tables ground the material palette of the scene.
Though situated in the heart of Paris’s luxury district, the boutique’s design is anchored in the label’s Italian roots. Reinterpreted through a contemporary lens, traditional materials and craftsmanship subtly reference the label’s historic headquarters in its hometown of Reggio Emilia. The walls and ceilings are finished in vanilla-colored marmorino plaster embedded with fragments of Rosso di Verona stone and polished to a delicate sheen. Above the staircase, the plaster finish becomes highly reflective, amplifying the upward movement of the spiral. Terrazzo flooring – polished inside the boutique and rough outside – creates a tactile continuity between the project and the street, transitioning from Italian stone to the French sidewalk.
On the upper floor, a backlit linen screen broadcasts live weather reports from Max Mara’s corporate home in Italy. Across its surface, wind, fog, sun, and rain overlay imagery of the original factory – now home to the Maramotti contemporary art collection – and the surrounding Italian landscape. Adjacent to the screen, an expansive band of windows accentuates the depth of the space, drawing in natural light while framing distant views of the Eiffel Tower. Nearby, the shifting patterns of the atmospheric projector provide a backdrop for the cashmere, camel hair, silk, and cotton collections.
Through theatrical lighting, artisanal materials, and precise detailing, the boutique grounds the retail experience in the label’s heritage against a contemporary, elegant backdrop.

ARCHIFASHION: SOPHIE HICKS – UNDERSTATED STYLE, TINGED WITH A TOUCH OF WHIMSY
Words by Cédric Saint André Perrin.
Photographs by Alasdair McClellan, Adrian Gaut, and Annabel Elston.
22 September 2026
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